Following my passion for panoramic photography, I finally decided to take it one step further and try capturing a table panorama. I have seen those kind of images on the Web, and even once tried to capture one, but failed mainly due to the lack of the right equipment. However, this time I managed to capture and stitch a full 360 degree table panorama and here are some of my thoughts you may find useful.
Once you capture and stitch your first equirectangular image or a classic panorama (a long image that offers a 360° horizontal field of view but limited vertical viewing capabilities), you can easily turn it into an interactive panorama with Pano2VR. These kind of panoramas have become extremely popular in recent years, and many companies now specialise in creating virtual tours for commercial purposes. There is, of course, other equally good software available on-line, but this tutorial will guide you through simple steps of creating your first interactive panorama with Pano2VR. Speaking from my own experience, I think Pano2VR is really simple and intuitive and can be used by people with limited experience in interactive panoramic photography or even absolute beginners. In this tutorial, I will show you my favourite Pano2VR features which you can easily incorporated into a simple and effective workflow in order to create a functional interactive panorama. Then, you can expand upon this tutorial and explore other more advanced features of Pano2VR, compiled in a comprehensive list of official tutorials.
Inspired by a series of Vertoramas depicting the transition between daytime and night-time, I decided to try to achieve a similar effect in an equirectangular panorama. I have to admit, the final image isn’t perfect and there’s definitely more room for improvement but overall, I’m pleased with the result. This post will discuss some of the issues I experienced during this project. In order to appreciate this image more, make sure you visit the interactive version on 360cities here.
Capturing the Nadir (the area of the ground directly below the Nodal point of your lens) is probably the most challenging and time-consuming aspect of panoramic photography. It is also important to compose the Nadir properly if you want to turn your image into an interactive panorama. This post will explain some techniques you can work on in order to improve or even design the Nadir of your panoramas. If you are completely new to panoramic photography please read my previous posts: Equirectangular Panorama and HDR Panorama.
Ever since I started developing a strong interest in panoramic photography, I also became interested in exploring HDR photography. One day these two finally came together and I decided to capture my first genuine HDR equirectangular panorama. It was not easy but I got there eventually and I’d like to share my thoughts with other panoramic and HDR photography enthusiasts. This post will guide you through the process of capturing a genuine HDR equirectangular panorama and will discuss the issues related to both the equipment as well as workflow. If you are not familiar with panoramic or HDR photography, please read my previous posts: Equirectangular Panorama and HDR from a single RAW
This week I’ve decided to experiment with the Peirce Quincuncial projection. In simple terms, this is a projection which is capable of projecting an equirectangular panorama onto a square. It’s similar to a stereographic projection as both of them represent a 360° field of view. The only difference between them is that a stereographic projection will produce a spherical image whereas Peirce Quincuncial will project the final image onto a square. If you are new to panoramic photography, please familiarise yourself with my previous posts on Equirectangular Panorama as you will need one to follow this step-by-step tutorial.
You can easily change the composition of your projections by shifting the centre of your panorama in the panorama preview window, while stitching it in Hugin. If you align the centre of the projection with the Nadir (the point where you were standing when shooting the panorama) you will get the classic circular ‘Little Planet’ effect. If you align the centre of your projection with the Zenith (the point right above the place where you were standing when shooting the panorama) you will get a reversed projection. Obviously, you may also shift the centre to other positions in order to achieve different results.