HDR Vertical Panorama
The basics behind capturing and stitching a HDR vertorama / tiltorama are almost the same as an equirectangular panorama. The only difference is that a vertorama / tiltorama represents a vertical field of view. If you are new to this kind of photography, please familiarise yourself with my previous posts: Vertical Panorama, Equirectangular Panorama and HDR Panorama to get an overview of HDR and panoramic photography.
Ever since I started developing a strong interest in panoramic photography, I also became interested in exploring HDR photography. One day these two finally came together and I decided to capture my first genuine HDR equirectangular panorama. It was not easy but I got there eventually and I’d like to share my thoughts with other panoramic and HDR photography enthusiasts. This post will guide you through the process of capturing a genuine HDR equirectangular panorama and will discuss the issues related to both the equipment as well as workflow. If you are not familiar with panoramic or HDR photography, please read my previous posts: Equirectangular Panorama and HDR from a single RAW
Photoshop CS5 Merge to HDR plug-in
Ever since my taste for HDR photography started to develop, I’ve always used Photomatix Pro and thought that it’s all I will ever need to process my HDR images. Recently, however, I have started experimenting with Photoshop CS5 Merge to HDR plug-in and the results can be seen below.
HDR from a single RAW (continued)
Following my recent trip to the local museum, I’ve decided to write about the advantages of shooting HDR from a single RAW file using Photomatix Pro. If you are interested in this technique, please read my previous post ‘HDR from a single RAW‘.
First of all, shooting traditional HDR using your camera bracketing mode may prove extremely difficult, especially in low light situations as well as inside buildings. The picture below was shot with 1/25s, which is already a rather slow shutter speed for handheld photography. Creating brackets with your camera means that for overexposed brackets the shutter would have to be approximately 1/10s and that will definitely blur the image due to camera shake. Obviously, you can use a tripod for this kind of pictures but most places won’t allow you to use one for various reasons. Secondly, carrying and setting up your tripod every time you want to take a picture is also troublesome. Instead, you can capture one RAW file and then process it in Photomatix Pro. You don’t even have to create brackets yourself. Just open Photomatix, go to ‘File’ then select ‘Open’ and indicate your RAW image. Next, select the right settings and Photomatix will process the image and you still will be able to adjust the settings to get the desired effect. The results can be seen below.
Vertorama / tiltorama (see comments for details) simply stands for a vertical panorama and it’s one of the best ways to capture interiors. If you are not familiar with panoramic photography, please read my previous post on Equirectangular Panorama to get yourself familiar with the stitching process.