Following a recent trip to the mountains with a friend of mine, I decided to write about long exposure photography again. This time, however, realised in a different and rather tight shooting location.
Capturing the Nadir (the area of the ground directly below the Nodal point of your lens) is probably the most challenging and time-consuming aspect of panoramic photography. It is also important to compose the Nadir properly if you want to turn your image into an interactive panorama. This post will explain some techniques you can work on in order to improve or even design the Nadir of your panoramas. If you are completely new to panoramic photography please read my previous posts: Equirectangular Panorama and HDR Panorama.
The basics behind capturing and stitching a HDR vertorama / tiltorama are almost the same as an equirectangular panorama. The only difference is that a vertorama / tiltorama represents a vertical field of view. If you are new to this kind of photography, please familiarise yourself with my previous posts: Vertical Panorama, Equirectangular Panorama and HDR Panorama to get an overview of HDR and panoramic photography.
Ever since I started developing a strong interest in panoramic photography, I also became interested in exploring HDR photography. One day these two finally came together and I decided to capture my first genuine HDR equirectangular panorama. It was not easy but I got there eventually and I’d like to share my thoughts with other panoramic and HDR photography enthusiasts. This post will guide you through the process of capturing a genuine HDR equirectangular panorama and will discuss the issues related to both the equipment as well as workflow. If you are not familiar with panoramic or HDR photography, please read my previous posts: Equirectangular Panorama and HDR from a single RAW
This week I’ve decided to experiment with the Peirce Quincuncial projection. In simple terms, this is a projection which is capable of projecting an equirectangular panorama onto a square. It’s similar to a stereographic projection as both of them represent a 360° field of view. The only difference between them is that a stereographic projection will produce a spherical image whereas Peirce Quincuncial will project the final image onto a square. If you are new to panoramic photography, please familiarise yourself with my previous posts on Equirectangular Panorama as you will need one to follow this step-by-step tutorial.