Following my passion for panoramic photography, I finally decided to take it one step further and try capturing a table panorama. I have seen those kind of images on the Web, and even once tried to capture one, but failed mainly due to the lack of the right equipment. However, this time I managed to capture and stitch a full 360 degree table panorama and here are some of my thoughts you may find useful.
Inspired by a series of Vertoramas depicting the transition between daytime and night-time, I decided to try to achieve a similar effect in an equirectangular panorama. I have to admit, the final image isn’t perfect and there’s definitely more room for improvement but overall, I’m pleased with the result. This post will discuss some of the issues I experienced during this project. In order to appreciate this image more, make sure you visit the interactive version on 360cities here.
Capturing the Nadir (the area of the ground directly below the Nodal point of your lens) is probably the most challenging and time-consuming aspect of panoramic photography. It is also important to compose the Nadir properly if you want to turn your image into an interactive panorama. This post will explain some techniques you can work on in order to improve or even design the Nadir of your panoramas. If you are completely new to panoramic photography please read my previous posts: Equirectangular Panorama and HDR Panorama.
The basics behind capturing and stitching a HDR vertorama / tiltorama are almost the same as an equirectangular panorama. The only difference is that a vertorama / tiltorama represents a vertical field of view. If you are new to this kind of photography, please familiarise yourself with my previous posts: Vertical Panorama, Equirectangular Panorama and HDR Panorama to get an overview of HDR and panoramic photography.
Ever since I started developing a strong interest in panoramic photography, I also became interested in exploring HDR photography. One day these two finally came together and I decided to capture my first genuine HDR equirectangular panorama. It was not easy but I got there eventually and I’d like to share my thoughts with other panoramic and HDR photography enthusiasts. This post will guide you through the process of capturing a genuine HDR equirectangular panorama and will discuss the issues related to both the equipment as well as workflow. If you are not familiar with panoramic or HDR photography, please read my previous posts: Equirectangular Panorama and HDR from a single RAW